TWFINEART + Greg MacLaughlin + Tretford
One more panel to go!![/caption]
First Continuous Cut[/caption]
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Polishing the sections before treatment[/caption]
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A beautiful pile of aluminum confetti piled up from the vacuums.[/caption]
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Gert Geyer standing in between her creation.[/caption]
Nicolas Jorcino is a native of Buenos Aires, Argentina, who has lived and worked in Louisville, KY since 2001. While attending architectural school in his hometown, Jorcino was introduced to painting during weekly sessions at a local master's workshop. He quickly began conducting his own experiments, which led him to become a full time muralist for the next eighteen years. Today his work is still informed by some of the same problems, pursuits and processes of architecture and design; as a social and physical science and also as a fine art. About his work in this exhibit, Nicolas writes, “My formal training is in architecture and urban planning. I began this series of paintings a few years ago while exploring different aspects and similarities between these two disciplines and painting. Identifying light as the primary material of architecture, I looked for a way to present it with the same weight and hierarchy as the concrete structures that control and shape it in the works of some of the masters I admire... In these images, the process is revealed more as an intellectual exercise than a physical execution.”
Nicolas is currently exhibiting at the Carnegie Center for Art & History in Kentucky with another TWFineArt artist and favorite, Rebecca Norton. The is exhibition titled In Between and runs until October 11, 2014.
To see our limited edition print series visit our SHOP.
The manual was discovered by Michael Goldberg during his time in Italy and influenced a major body of his work from the late 1970's until the mid-late 1980's.
'Codex Coner Piede Vicentino' by Michael Goldberg 1980 [pictured below left] references the fundamental structures of Roman architecture, the divisional lines appearing as abstracted columns supporting the uneven weight of the pink colorfield. The technique Goldberg used to create these works on handmade paper was particularly fresh. Matt medium was applied to the paper with water to create a wet surface that Goldberg would draw into with lecturers chalk - a material that the artist would find an affinity with and subsequently use in paintings for the remainder of his career.
Renowned collectors Herb and Dorothy Vogel found particular interest in this work and acquired several drawings for their collection. 'Codex Coner Piede Vicentino' was donated to Yale University as a part of the Vogel's 50 x 50 - 50 Works for 50 States, after Dorothy's passing in 2012.
We are thrilled to work with the Goldberg Estate to include 2 of these amazing and historically important works in our limited edition print collection. Visit our SHOP to see the available work, or enquire with the gallery about sales of the original works.
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